A few days ago, I decided to catch up on Dâ€¢Nâ€¢Angel thinking, “It’s been a year already, surely Yukiru Sugisaki picked it back up!”
It shouldn’t be surprising that my expectations were shot down. In typical Sugisaki fashion, the latest chapter of Dâ€¢Nâ€¢Angel in 2012 is exactly the same one I left of at during the beginning of 2011. Apparently she is really focusing on Ascribe to Heaven (which hasn’t gotten a translation past the first chapter) or she’s just lazing around and disappointing her fans. I mean, so far I like Ascribe to Heaven and find the art scrumptious, but I don’t have high hopes for it going anywhere seeing as Sugisaki has a track record of not finishing manga. This may sound hypocritical coming from a blog that might as well have been renamed to The Hiatus Spot in the past, but there is truth in what I’m saying here.
Sugisaki may be the worse offender of this, but there have been other manga groups like CLAMP that (despite having a number of completed works) also have quite a few unfinished works that are put on hold. Even then, they at least make an attempt to update sporadically and see it through(picking up Legal Drug again as Drug and Drop is a good example). Sugisaki, not so much. While she did pick up Dâ€¢Nâ€¢Angel, is putting it on hold RIGHT AT A CRUCIAL PLOT TWIST (just to focus on a NEW MANGA instead of updating her previous ones) a good strategy? Unlike me, some fans aren’t as faithful and persistent.
This is why I think mangaka should go with Kyoto Animation’s “one series at a time” philosophy, especially since it’s really just one person on the workforce plus a few assistants and editors. An advice to mangaka: Move onto a new project AFTER you’ve finished the one you’re working on now. It doesn’t matter if the art is delicious or if the writing is superb, all of it just becomes a downer if you’re going to deprive fans of it for most of the run… for nearly a decade, only for you to drop it again soon after picking it back up. For fans in places other than Japan, it hurts us even more since licensors will stop being interested in localizating their works because of their reputation of hardly finishing anything.
Do you guys agree with me on this stance? Should manga writers be limited to making one series and see it through before making a new one? If not, if you were to give the writer any suggestions on how to handle more than one series at a time, what would they be? Do you have any other examples other than the one mentioned in the post? Feel free to leave a comment and share your thoughts.