(Shitty Rock impersonation) FIIIIIIIINALLLLLLLLY, GINTAMA ISSSSS BACK WITH ALLLLLLL NEWWWW EPISODESSSSS!!!
Even the Rock is excited for Gintama!
(Shitty Rock impersonation) FIIIIIIIINALLLLLLLLY, GINTAMA ISSSSS BACK WITH ALLLLLLL NEWWWW EPISODESSSSS!!!
Even the Rock is excited for Gintama!
That was a really good first episode. A lot of it is familiar content to me, like the bit where Sena, Kodoka, and Yozora try to do things that would make people laugh (and failing horribly at it, which is the funny part), as I’ve read the manga version of it some time ago. I really should start reading the light novels as well – soon, I hope.
The animation was wicked awesome. The quality is up-to-par with the Blu-Rays of the first season and the slightly new style in the art/animation comes off as looking more fluid than the previous 12 episodes. Yozora’s sure sporting the short hair rather nicely in this new animation style.
Haganai’s sense of humor is as funny as I remember it during the first season, and I like it how the episode felt more of a “episode 13” to the original season rather than a bland re-introductory episode for new viewers (if you want to be introduced to the characters properly, watch the first season!). Though the name tags that appeared on the screen served as something helpful for new viewers, I found it a treat that they got right to the point. My side-splitting moment was when Stella gave Kodaka a pack of condoms. Basically goes without saying, “Here to play with the young miss? Use protection!” She’s certainly still the Geoffrey of Haganai.
^ The episode needed more Kobato though. More heterochromia waifu is always good.
Looks like next episode will introduce Maria’s big sister for the first time in animated form. I recall the first time and only time I’ve ever seen her was in that AU Sena manga.
Image Credit: sky (freedom) from Pixiv
Merry Christmas to all my readers and everyone in the anime blogosphere! Hope you’re having fun with holiday festivities and such.
This post will conclude my “12 Days of Anime” posts, but I will continue to reflect upon 2012 once New Years rolls around.
Image Credit: yinxisan from Pixiv
Twenty Twelve’s been a great year when it came to nostalgia. At least for me, anyway.
There certainly seems to be a good amount of revivals and look-backs for me to talk about.
Image Credit: juria from Pixiv
A little less than seven years in the blogosphere and this is actually my first time taking part in a “12 Days of Anime” post-spree, a project in which bloggers recount memorable moments related to anime either this year or in general. I decided to do it about 2012. I’m pretty excited about it, mostly since I don’t really physically *celebrate* any holidays outside of buying one or two gifts before Christmas Day comes around… and taking a break from school.
I was originally planning on doing this when the REAL 12 Days of Christmas began (which is Christmas Day), but then I saw everyone else start doing it today. So, I figured, I was probably planning on doing it wrong, somehow…
Any-who, let’s get the holiday season started. *calls the Christmas Carolers*
A few days ago, I decided to catch up on Dâ€¢Nâ€¢Angel thinking, “It’s been a year already, surely Yukiru Sugisaki picked it back up!”
It shouldn’t be surprising that my expectations were shot down. In typical Sugisaki fashion, the latest chapter of Dâ€¢Nâ€¢Angel in 2012 is exactly the same one I left of at during the beginning of 2011. Apparently she is really focusing on Ascribe to Heaven (which hasn’t gotten a translation past the first chapter) or she’s just lazing around and disappointing her fans. I mean, so far I like Ascribe to Heaven and find the art scrumptious, but I don’t have high hopes for it going anywhere seeing as Sugisaki has a track record of not finishing manga. This may sound hypocritical coming from a blog that might as well have been renamed to The Hiatus Spot in the past, but there is truth in what I’m saying here.
Sugisaki may be the worse offender of this, but there have been other manga groups like CLAMP that (despite having a number of completed works) also have quite a few unfinished works that are put on hold. Even then, they at least make an attempt to update sporadically and see it through(picking up Legal Drug again as Drug and Drop is a good example). Sugisaki, not so much. While she did pick up Dâ€¢Nâ€¢Angel, is putting it on hold RIGHT AT A CRUCIAL PLOT TWIST (just to focus on a NEW MANGA instead of updating her previous ones) a good strategy? Unlike me, some fans aren’t as faithful and persistent.
This is why I think mangaka should go with Kyoto Animation’s “one series at a time” philosophy, especially since it’s really just one person on the workforce plus a few assistants and editors. An advice to mangaka: Move onto a new project AFTER you’ve finished the one you’re working on now. It doesn’t matter if the art is delicious or if the writing is superb, all of it just becomes a downer if you’re going to deprive fans of it for most of the run… for nearly a decade, only for you to drop it again soon after picking it back up. For fans in places other than Japan, it hurts us even more since licensors will stop being interested in localizating their works because of their reputation of hardly finishing anything.
Do you guys agree with me on this stance? Should manga writers be limited to making one series and see it through before making a new one? If not, if you were to give the writer any suggestions on how to handle more than one series at a time, what would they be? Do you have any other examples other than the one mentioned in the post? Feel free to leave a comment and share your thoughts.
On the agenda for our pilot episode, we have the upcoming Little Busters! anime, Spice & Wolf and other light novels, Da Capo III and other untranslated visual novels, Tales of Xillia being localized, and of course, plenty of extra topics because we can’t stop talking.
Weary due to the complete mess of an ending TRC had (and still weary to finish up Ã—Ã—Ã—HOLiC because of it), I finally got around to reading CLAMP’s latest series, Gate 7! I mean, Kobato was still very good, in my opinion, so I haven’t lost hope in CLAMP.
As always, CLAMP manages to intrigue me from the very first chapters. The artwork is very pretty and the personality quirks of the characters are highly amusing. Especially Hana’s love for noodles, rivaling Yuko’s penchant for alcohol and Kero-chan’s obsession with food in general. xD
Gate 7 seems to be the most Japanese-inspired out of all of CLAMP’s works. Enthusiasts of Japanese culture will relate to Chikahito’s fondness of Japanese relics and Kyoto. I guess if you’re not savvy with Japanese culture, you might be left a little confused with the constant Japan-oriented terms they use.
I’ll wait until I finish the first volume before I decide to buy a copy from Dark Horse (bless their awesome souls).
Yumeka of Mainichi Anime Yume wrote an article where she harkened back to her childhood and examined the origins of when her love of anime first began and, of course, why it still persists in her heart today. She asked her readers if they could trace any instances of early “nerdom” within their childhoods that may have contributed to their love for anime today and if there were any obstacles in regards to the indulgence in these hobbies (home environment, parents, peers, etc.)
Instead of sharing my own story as a comment on her blog, I decided to reply to it as a post of my own.
It’s common knowledge within the anime fandom that series based off of on-going manga or light novels resort to producing original episodes, which serve as padding, in order for the anime’s story to maintain a certain distance from the original story.
However, there’s somewhat of an inherent problem with fillers or anime-original episodes. Half of the time they’re bad, sometimes they’re decent, and very rarely are they ever as good as the genuine articles. More on this after the jump.
So, after Toei’s anime was cancelled after adapting the first seven volumes like total spazzes, Konami and Nihon Ad Systems decided to make their own Yu-Gi-Oh! adaptation two years later. Only this adaptation was made to be a pure advertisement for their card game. This was their plan: skip the first seven volumes of the manga, remove everything unrelated to Duel Monsters before and after (or make them related), and go straight to the first story arc where Duel Monsters take center stage as the main game – Duelist Kingdom. King of “Games”, my ass.
Problem is, it doesn’t completely skip the first seven volumes, per se. They decided to mesh up elements from the early manga and re-imagine them in their Duel Monsters-centric anime (such as characters), creating one of the worst introduction sagas in an anime to ever hit television. Ever. To name one, Seto Kaiba, the #1 gamer in Japan and poster boy for Magic & Wizards (as the card game is called in the Japanese manga), had his whole arc rewritten as the first episode of Yu-Gi-Oh! Duel Monsters.
Basically, the whole first episode is a “kitbash” of his two introduction chapters from the manga and the Death-T saga, a story revolving around his “amusement” park of deadly games – all designed to kill Yuugi and his friends in the name of vengeance. Needless to say, skipping seven volume’s worth of details and rewriting one volume’s worth of events into one anime episode will always result in one thing:
This episode was Yu-Gi-Oh!‘s official anime debut, based on chapter one of the manga, “The Puzzle of the Gods.” As you can guess, it shows Yuugi completing the Sennen Puzzle and awakening his other half “Dark Yuugi”, befriending Jonouchi, and starting his spree of mindraping just about anyone that messes with him or his friends/family through Games of Darkness.
Appropriately, the first episode is one of the more faithful episodes of this anime, despite some characterization changes and the Game of Darkness between Yuugi and Ushio (no, not the cute one from CLANNAD xD) being completely different, as well as his Penalty Game.
Since the start of a few summer anime series have already begun, I guess it’s time to compile a list of the anime that I’m going to (most likely) be blogging about.
I also included a list of anime that I’ll be re-watching and blogging, since the summer season doesn’t seem to be too interesting, in my opinion.
So I just got around to reading Puella Magi Kazumi Magica: The Innocent Malice, up to the latest chapter. Suffice to say, it starts out pretty happy, but since I’ve watch the original Puella Magi Madoka Magica anime series, the quick shift to utter darkness didn’t catch me off guard this time around.
I have to say, the plot twist in chapter 14 was pretty awesome, especially since you can spot some clever foreshadowing while re-reading previous chapters. 😀 Even though it isn’t written by Gen Urobuchi, the overall spirit and mood of its parent series is still there, and is emulated perfectly by Maaki Hiramatsu. Kind of miss Ume Aoki’s designs though, but Takashi Tensugi’s art is pretty. This spin-off seems to have much more yuri undertones than its parent series did (which all could have been taken out of context, for all we know), so I’m a happy man. <3
Without being as spoilerish as possible, I summarize my thoughts on the latest chapter in two words: POOR KAZUMI.
Don’t worry… Ahnnnnn~… Readers… I’ll write for you.
The craziest anime series of the Fall 2011 just came to a close, but it left with me with something that didn’t live up to the zany expectations of the middle episodes. Not to say it was disappointing, but it felt that something was missing. No, rather, it felt like something was out of place. It’s been a fun ride, Mirai Nikki, especially not starting off as a reader of the manga, but I must say… why?
…until someone pointed them out to me, and thus I shall never unsee.
Holy effin’ balls. This is the creepiest manga I’ve ever read. No bullshit. Screw Higurashi. Screw Battle Royale. Screw that Highschool of the Dead BS. This is true horror on black and white pages.
I recommend everyone to kill their lights and read this (unless you somehow manage to get a hold of the actual book, in which case turning off the lights will be fucking stupid). This will make you piss your pants if you happen to have a little sister. Why, you ask? Read it and it will ALL make sense to you. I’m not taking out the trash EVER again.
(Yeah, I didn’t finish blogging the summer season. Sue me. My priorities at the moment are: college prep stuff > video games > anime. Too bad they’re not in the order in which I would prefer them to be. As an apology, here’s a funny video Steven showed me, which he found on VG Cats (wait, they actually updated?!). Cookies for anyone who can point out the person who is most likely saying “yyeah bitches” during that Black Friday stampede.)
It’s a school day and writer’s block calls for fanart dump.
Bonus 4koma (Strip #1. Yes, there will be more). An inside joke between the lazy co-writer (Steven) and I.
All done with a mouse on Manga Studio EX 4.0. No tablets (everything would look better with tablets :P). Lightly-colored for an extra innocent chibi effect. Enjoy.
As I thought, mirror boy turned out to be a douche that’s trying to take Daisuke’s place in the real world. When Daisuke got sucked into the world of Insomnia, I figured it was either because Insomnia was lonely or he wanted to become the new Daisuke. His motive was pretty predictable, but other than that, these recent chapters were pretty interesting reads.
I just went to get my eyes examined. Turns out my vision is so shitty I’ll have to wear glasses everyday.
If only anime tropes applied to real life; that being the case, I would either choose to be the Spectacled Sadist or Stoic Spectacles within my group of friends (or even better, within the interwebz).
Interesting to note, most of my favorite anime characters that wear glasses don’t even friggin’ need them. Yuki Nagato loses her glasses midway through the original run of The Melancholy of Haruhi Suzumiya (I disagree with Kyon, she looked good with glasses). Jade Curtiss wears his glasses in order to suppress the awesome spell he casted onto his eyes in Tales of the Abyss. I don’t know why Satoshi Hiwatari/Hikari from Dâ€¢Nâ€¢Angel wears glasses, but he obviously doesn’t need them.
Glasses seem to either be a completely normal thing, fetish fuel, or a symbol of badassery in the world of anime, manga, and video games. Why can’t my life be like that?! Makes me feel better about my terrible vision. xD Instead of looking at it in a bad way, let’s look at the positives: I’m getting my glasses from a VERY pretty Asian lady in her early 20s (hurray for me being male estrogen brigade jailbait). btw, she smells nice.